Wednesday, October 1, 2014

WHAT THE EXPERTS SAY: Jan Moran, Author

Jan Moran, Author
FLAWLESS
Jan Moran applied her expertise of perfumery and the beauty industry to write FLAWLESS, described by one reviewer as “A classic romantic tale with a modern business twist.” Moran’s “Hostile Beauty” series features “smart, gutsy women” who encounter and overcome opposition in the beauty business.  Moran describes the Hostile Beauty series as a behind-the-scenes look into the “beautiful” industries.

Moran, a bestselling and award-winning author, once wanted to be a ballerina, started several companies, and created special touch-screens for shoppers of perfumery and skin-care. She loves the freedom of dancing and has enjoyed dancing with her husband from New York to Paris. Her next novel, SCENT OF TRIUMPH, is scheduled for release in late March 2015 and pre-orders can be placed now on Amazon.



Q: Where did you get the plot for FLAWLESS and the Hostile Beauty series?

Jan Moran: I worked in the beauty industry for many years. My mother and grandmother had a great love of perfumery. In college I worked as a fragrance model and makeup artist, and later wrote two books on perfumery, Fabulous Fragrances, which earned top ten positions on Rizzoli Bookstore’s bestseller list.

After writing and distributing books for the beauty industry, I conceived and created a software program called Scentsa. These touch-screen programs helped shoppers find fragrances, skincare, and cosmetics in stores such as Sephora, DFS, JCPenney, and Nordstrom. We translated Scentsa into five languages and displayed it at retailers in eight countries (United States, France, Canada, Hong Kong, Denmark, Brazil, Abu Dhabi, and Mexico). The Fragrance Foundation in New York even awarded us a coveted FiFi Award for Technological Innovation of the Year. It was covered in Women’s Wear Daily and Wall Street Journal. The technology was sold to Sephora in August 2013, and the touch-screen programs are now exclusive to Sephora.

My Scentsa team and I worked with the world’s leading beauty brands and luxury retailers. This background was rich inspiration for the Hostile Beauty series.

Q: I love the series title of “A Hostile Beauty Novel.” What makes it “hostile?”

Jan Moran: In my experience, there are many less-than-honorable people encountered in business. In the beauty business, I say that there is often an “ugly side to beauty.” I really wanted to delve into these personalities and their actions, and demonstrate how smart, gutsy women protect their businesses and come out on top in life and in love. Hence the series title, Hostile Beauty.

Q: Did you base any of your plot or characters on real occurrences or people you encountered as part of your background in the perfumery industry?

Jan Moran: While my experiences in the beauty industry inspired this series, the people and occurrences are fictional. Yet the situations are all plausible, and truth is often stranger than fiction.

Q: Reviewers tout your characters and say they, “reach out of the pages and pull you into their lives, and they stay with you long after you close the book.” How do you create such compelling characters?

Jan Moran: My characters have heart; they’re the kind of women you’d want to plan a girls’ weekend with, and share your deepest secrets. I’m so blessed to have wonderful friends. We cheer each other on! My books reflect these supportive relationships, especially the Hostile Beauty series, which is about a group of entrepreneurial friends in the “beautiful” industries.

Q: Does the concept of “villain vs hero” help tell your story? Do you believe that you need a villain in order to have hero?

Jan Moran: My stories are about overcoming the challenges life hurls at us. It might be a villain, a war, a recession, or something else. And, while there are heroic men in my stories, the women are the real heroes. My heroines save themselves. They’re smart, savvy, genuine women who, despite the odds, create the lives they want for themselves and their families.

Q: How supportive is setting FLAWLESS in Beverly Hills to creating your plot?

Jan Moran: The Hostile Beauty series is a behind-the-scenes look into the “beautiful” industries. I used to live in Beverly Hills, so I know the community well. In Los Angeles, one’s exterior is important, from physical appearance to accoutrements, clothing, and settings. It was the perfect place to set this story.

Q: Reviewers also praise your “compelling plot that had me turning the pages faster and faster.” How do you create this suspense?

Jan Moran: I like action! In every scene, I’m intent on driving the story forward. I’m glad readers are enjoying it.

Q: Did you write FLAWLESS to entertain or did you also intend to deliver a message?

Jan Moran: First, my mission is to entertain and deliver a great story. Second, my stories are inherently about hope, triumph over adversity, appreciation of other cultures, and belief in your own abilities. If readers enjoy the Hostile Beauty series, and also feel empowered, then I’ve done my job!

Q: What’s next?

Jan Moran: St. Martin’s Press is publishing my historical novel, SCENT OF TRIUMPH, which is about a French perfumer during World War II, and takes readers to Paris, London, and Hollywood. The next historical is set in the wine industry, in Napa Valley and Montalcino. For the contemporary Hostile Beauty series, I’ll be taking readers to fabulous international locations and spinning sexy new stories.

I’ll make announcements on my website, blog, Goodreads, Facebook and Twitter. Stay tuned on the blog through www.janmoran.com, where I’ll post previews. Better yet, sign up for my newsletter to learn about new books and enter to win Advance Reader Copies and autographed books.

Q: Tell us about Jan Moran. What do you like to do when you’re not writing?

Jan Moran: Well, once upon a time I was a ballerina, but now I’m quite good at reading financial statements, too. I’ve also worked with PR firms representing brands to the media. And I’ve started several companies. My last company, Scentsa, was sold to Sephora, and shoppers can still use the touch-screens I designed for perfumery and skincare.

I love a spa weekend with girlfriends, or an all-girls ski trip. I also enjoy going out dancing with my husband. We have danced around the world, from the hottest discos in Paris, to dancing in the rain by Central Park in New York to a jazz street band. Dance frees the spirit. I also like to visit art museums to fire up the creative side of the brain.

I have a weakness for shoes and jewelry. I’m a true girly girl, and I’ve designed and created many of my own jewelry pieces. And did I mention desserts? Don’t even get me started on chocolate!

About Jan Moran

Jan Moran is a bestselling and award-winning author. She writes historical women's fiction for St. Martin's Press, contemporary women's fiction, and nonfiction books. Her stories are smart and stylish, and written with emotional depth.
Jan often draws on her international travel and business experiences, infusing her books with realistic details. The Midwest Book Review and Kirkus have recommended her books, calling her heroines strong, complex, and resourceful. She blogs for ProjectEve and at JanMoran.com.
Jan has been featured in numerous prestigious media, including CNN, Women's Wear Daily, Wall Street Journal, Allure, InStyle, O Magazine, Cosmopolitan, Elle, and Costco Connection. As a serial entrepreneur, Jan is the founder and creator of Scentsa, a touch-screen software program for retailers and brands. The fragrance and skincare programs are at Sephora stores in the US, Canada, and international locations.

About FLAWLESS

Verena Valent is at the helm of her family's legendary Swiss skincare company, which caters to a glamorous clientele in the heart of Beverly Hills. After her parents are killed in an automobile accident, she becomes the sole provider for her younger twin sisters and her grandmother. Instead of attending college with her friends as planned, she rises to the challenge to guide and expand her family's business. She is in the midst of a critical international expansion into Asia when her carefully organized life begins to unravel.

Verena is shaken to discover that her fiancé, Derrick, might be behind a scheme to take over her growing company. While she struggles to save the business that means everything to her, she meets Lance, an executive chef at the Beverly Hills Hotel. She encounters this intriguing man again while on a business trip to Paris, and soon gains a new perspective on love, romance, and relationships.

When the unthinkable occurs and Verena's world collapses, her friends rally around her, among them Scarlett Sandoval, a top intellectual property attorney; Dahlia DuBois, a perfumer from an esteemed line of French perfumers; and Fianna Fitzgerald, a fashion designer with her own trendy boutique.

Ultimately, Verena learns that truth, family, friendship, and love are the unshakable pillars of life. But will she get a second chance in business, or in love?

Flawless is the first book in the Hostile Beauty Series. Follow a group of smart, stylish, entrepreneurial friends as they navigate the turbulences of modern life in the business of beauty. Set in Beverly Hills with action flung across the globe, this engaging series features gutsy, determined best friends, and how they manage to live the lives of their dreams.

Excerpt

As she walked, watching the moonlight wavering over the faint ripples on the pool’s surface, Verena thought of her grandmother, Mia, and her parents, and how hard they’d worked to build up the business. It had been a slow process, ‘brick by brick,’ as her father had been fond of saying. Her father, Joseph, and her mother, Angelica. How she missed them; she’d ached for them every day of her life since—
A large man in a white shirt stepped in front of her. “Excuse me, do you have a light?”
Verena jerked her head up, startled. “No,” she snapped. “And you shouldn’t jump out in front of people like that.”
“I’m sorry, didn’t mean to frighten you.”
His voice was a deep, warm baritone, and he sounded genuinely apologetic. Bright pool lights behind him illuminated his broad physique.
She couldn’t make out his face, but she could see a cigarette dangling from his silhouetted fingers. “Besides, you shouldn’t smoke.” She heard him sigh.
“I know. I quit, but I really need a cigarette right now. It’s been one of those weeks.”
“Tell me about it,” she muttered. He made no reply but remained rooted to the ground before her, blocking her way. She put up her hand to shield her eyes from the light. “I can’t see you, and you’re in my way.”
He stepped aside, and brought his face near hers. “Is that better?”
A shaft of light from the pool shone on his face. Verena caught her breath. Behind his engaging smile, his white teeth sparkled. His eyes crinkled in a nice way when he grinned, and his kind face drew her in. He looked around her age, maybe a couple of years older—about thirty, she guessed. With tanned skin and sun-streaked, chestnut brown hair, it was obvious he enjoyed the California sunshine. He also had a distinct inviting aroma about him—garlic and rosemary. She looked at his clothes. White jacket, thermometer in a slender pouch sewn onto the sleeve, casual cotton pants. “You’re a chef.”
He laughed and bowed. “At your service.”
“You smell wonderful.” Verena grew warm. With her fair skin, she blushed easily, and she was glad it was dark outside. She was far too old for such immature reactions.
“Hungry?”
“I had dinner, sort of, but I didn’t really eat it. Actually, I’m starving.”
He raised his eyebrows, alarmed. “What was wrong with it?”
Verena realized he thought she didn’t like the food. It must have come from his kitchen. “No, it was delicious, but I can’t eat much before I have to appear in public or give a presentation. Audiences make me nervous; it’s stage fright, I guess.”
 She laughed. “I’m always starving by the time an event like this is over. Everyone else has eaten well, and then I have to find a late night diner. Or room service.”
“You’ll have none of that tonight. Come with me.” He took her hand and smiled at her again when she hesitated. “What’s the matter?” He glanced down at her barren left hand—Derrick hadn’t given her a ring yet. “Boyfriend waiting for you?”
There it was again, that warm feeling that grew along her neck. “No, not really, but my friends are waiting for me in the Polo Lounge.”
“They’ll be fine, but you should eat something. Look, you’re so weak you’re shaking. I’ll call the maître’d at the Polo Lounge for you. What’s your name?”
“What’s yours?”
“Ah, my manners. Forgive me, too much time in the kitchen. My name is Lance, Lance Martel.”
“Verena Valent.”  
“Beautiful name for a beautiful woman.” A smile curved on his full lips. “You’re going to eat well tonight, Verena. Come with me.” He took her hand, letting his fingers glide to her fingertips in a causal, friendly grasp.
His fingers seemed magnetic. She was starving, and he seemed innocuous enough, though he was disarmingly attractive. Not in the powerful, intense way Derrick was, but in a charming, friendly manner. She hesitated for a moment, and then thought, Why not?

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Monday, September 29, 2014

WHAT THE EXPERTS SAY: Benjamin DeHaven, Author

Benjamin DeHaven, Author
CONFESSIONS OF A SELF-HELP WRITER
Benjamin W. DeHaven’s CONFESSIONS OF A SELF-HELP WRITER (THE JOURNAL OF MICHAEL ENZO)-fiction based on fact-has been described by reviewers as "Peculiar but worth reading" and “Quirky, eccentric, and insightful” and “funny.” DeHaven says he wrote it originally as “an act of revenge and an act of forgiveness.” He intended for people to laugh, but he may have ended up showing people the dark side of self-help books.

Currently residing in Las Vegas, DeHaven divides his love of cities between Chicago and New Orleans. He has written self-help books and screenplays, although writing screenplays is not his favorite. When not writing, he spends time doing volunteer work, mostly to help children.

Don't miss the giveaway opportunity following the interview.

Q: What drove you to write CONFESSIONS OF A SELF-HELP WRITER?

Benjamin W. DeHaven: CONFESSIONS OF A SELF-HELP WRITER (THE JOUNAL OF MICHAEL ENZO) is a work of fiction based on factual events. Originally, I wrote this work as an act of revenge and an act of forgiveness. As one reviewer put it, “The reader of “Confessions” is forced to question DeHaven’s motivation... Does he truly want to ruin Enzo’s legacy or is this an act of love? Reaching out to someone who is still lost.”

So in a way, yes, I was trying to flush him out. But that was personal and never meant to be publicized. I hoped people would get a great laugh out of the fiction character who was a con man, and who almost destroyed me. But now if someone found the truth, maybe this would be the last self-help book they would ever read-because it’s the mind of a mad man who was writing those books. CONFESSIONS OF A SELF-HELP WRITER was the #1 Most Wished For Book of the Year on Indie Bound for over 14 weeks and was getting amazing reviews as a book of  “fiction.” I was thrilled-but prior to that some of my original intentions came out and that’s what led to the PR below:


One reviewer said, “I think this is a multi-platform fail.” --I hope so, and wish the actual backstory would have never come out. I had no trouble letting this ride as a book of fiction and hope readers will enjoy it for that reason. If you want to believe that inside is the voice of a real person whom might have influenced you in some significant way, it’s an interesting way to read a book. There is a reason I don’t ask friends if they have seen any good movies lately—I want to go in with a fresh slate.

A Huffington Article in the next few weeks will also explain that the book is based on factual events and Radar is desperately trying to find out who Enzo really is. 


Q: How did you become interested in self-help books?

Benjamin W. DeHaven: Greed. Seriously though I have read a ton of self-help books and helped to write a bunch. My ultimate goal is to help people and my grandfather told me the greatest gift you could give another person was to empower them to be the best version of themselves. As I got older though-I realized self-help was more toxic than the diet industry. People will buy a hundred books on how to lose weight before they will consider changing their diets. This sickened me, and while Confessions is a fun book, it’s also a bit of an expose, because you will see the mind of someone who might be supplying your advice and guidance. Think about it this way-people don’t want to learn anything new-they want to reaffirm what they already believe.

Q: CONFESSION OF A SELF-HELP WRITER has been described as “peculiar” and “quirky, eccentric, and insightful.” Did you intend for its “quirkiness” to help tell the story? Does its “peculiarity” contribute to its “insightfulness?”

Benjamin W. DeHaven: I hope so. It’s written as a journal that was never meant to be read, so it’s brutally honest in its presentation and is a “thought in progress.” There are a ton of stylistic choices I made in order to secretly pay homage to other writers who had meant so much to me. My first editor Mimi Fast who is brilliant and brutally honest, and the best kind of friend you could ask for, often said, “I know what you are trying to do here-you’re failing.” Haha, it was great to have her because clearly I am not an American master, but I used what I thought I could mimic, stole the rest, and had been reading a ton of Ginsberg. So I hope that the reader is engaged, because everything is intentional, and there are many points where a strong reader might get distracted by a poor verb tense, or a misused word. This is not a mistake and there are passages where you might be reading a Haiku, and not even know it unless you are looking for it. I think that is what leads to the “quirkiness” of it. You might not even put it into words, but it can make you a little uncomfortable. And I think we all get a little uncomfortable before coming to a realization.

Q: How do you enable readers to engage with your main characters, who reviewers say, are not all that likeable? How helpful is the concept of “heroes vs villains” to tell your story?

Benjamin W. DeHaven: I came to the understanding a long time ago that we are all connected, and while we should treasure our uniqueness, we should also explore our commonalities. “Hero of a Thousand Faces” by Joseph Campbell should be on every storytellers reading list because it teaches us the line between heroes and villains is not always clear. Many reviewers hate the characters, one of which is myself, but some reviewers envy the life style of Michael Enzo and relate to him. I would say whether we like it or not the characters represent a part of us all-although in this case-most of us might have a dark thought-but never fall victim to making it a reality-(Or the courage-depending on your perspective.)

Q: Although fiction, CONFESSIONS OF A SELF-HELP WRITER is considered to be based on true life and “reads like a thriller but is true life at its best.” How do you turn it into a “thriller?” What makes us want to continue to turn the page?

Benjamin W. DeHaven: I spoke with a wonderful librarian from NY at BEA this year, who loved the book but couldn’t understand why the first two chapters were so choppy. I remember we were signing books and we stopped the line and I asked if anyone knew. A very young girl answered, “The intro chapters read like a twitter feed.” While that was almost correct, there is almost a complete thought or story in each sentence. The book reads really fast, and I wanted each line to exist on its own. A good friend called in anger and said, “I’m so mad at you-I’ve read this book a dozen times. And I keep trying to reflect on the ideas and build an opinion-but because it’s so short, I just keep reading it again.” I hope the chapters read as a complete story, or a short story if you will. Even though they are building to a central theme, they can each be taken separately and almost all of them end with a hanging question. It’s up to the reader to decide if they want to pull back the curtain. I was honored by this review, because I had not thought about it as a thriller-but I guess the tempo is similar. All I can say is what makes the movie Jaws so great-is you don’t actually see the shark till you’re an hour into the film.

Q: Did you write CONFESSIONS OF A SELF-HELP WRITER just to entertain readers; or were you intending to deliver a message about life?

Benjamin W. DeHaven: I was hoping to deliver a message, but a silent one. In fact I was a bit hesitant about how the book was marketed, because I wanted people to pick it up as something interesting. I actually thought the target market would be non-readers and my intent was to “sneak up on them” with a message. But so many people have had such strong reactions, that I might have failed in the overall intention. I had a one star review on amazon and I so badly wanted to comment to the reviewer, who ended her review with, “maybe that’s what I learned about self-help-it’s garbage.” Yes. You did understand-and if you picked up this book only because you are hoping to learn some insider secret about celebrities, and were angry it wasn’t the content you were looking for—then hopefully you’ll take the next step to understanding—Maybe you should beware of where you look for information—and what exactly are you looking for.

Q: You have written screenplays and journalistic writings, and now a novel. What’s your favorite format? Why?

Benjamin W. DeHaven: I actually hate writing screenplays. But they pay fast and are steady. It’s funny because if this book ever gets turned into a movie, I would hire someone else to convert it to a screenplay. I love to write constantly and free write characters and short stories, so I think all of that for me eventually converts to a novel.

Q: How helpful is humor to telling your story? The art and/or science of humor is difficult. How do you create it in your story?

Benjamin W. DeHaven: Humor is a must. I think you have to write for yourself, because you would be surprised how similar to the rest of the world you are and how they wish they had the strength to tell a story. You should be interacting and toying with the reader on occasion. If you are in fact brilliant, then you will need to tone it down- That has never been a problem for me. –You must be as true as possible to the characters in the story, or the narrator’s voice. No matter how shocking, or rude, or offensive-you have to free flow write exactly what’s on the tip of your tongue without a filter-because even the tough stuff- is funny to someone. I would also say lust, marketability, and a clear view at a huge cross section of America must always remain in plain site. You must offend at least one group of people at one point or another to be successful.

Q: What’s next?

Benjamin W. DeHaven: I’m lazy, followed by bouts of insane commitment. I am the type of writer that wants to help people, but never have Matt Dillon play me in a movie –(although he did personally request a copy of Confessions-Jesus save me) So next I am going to take a few months and reflect on this painful process of selling a book. LOL. But I just got the wind knocked out of me by an amazing woman, and I am going to give her my all. I am still amazed God had an Angel left for me and even if she’s not mine - a week before I met her, I was content with the fact I wasn’t worth loving- and she set me free from this prison.  I had started a novel but had a tough time writing about love and this person has made me unstoppable. I can’t wait to continue the story.

Q: Tell us about Benjamin DeHaven. What do you like to do when you’re not writing?

Benjamin W. DeHaven: You would be surprised if you had read confessions, but I actually do a lot of volunteer work, mostly with children. I wrote this short piece for my blog (which has 9 followers! Woo) and I think it’s more fun to describe what a day for me is like:

Not as exciting as my social media profile would have you believe. A saying as a child that always prompted a giggle. - “Call me anything, but don’t call me late for dinner. The morning started in a familiar fashion--struggling through the CPAP machine wrapped tightly around my neck from rolling in circles all night as the Sodium Oxibate chased Morpheus through the back alleys of my dreams. Carradine would be proud. (Insert a Tag-IDK?)#Carradine  Awakened abruptly by the handful pills dispensing magic in my soul as I somehow had managed to swallow all nine off my bedside table without removing my mask. A glorious Halloween bag of success filled colors and shapes prescribed to cure my hypertension, high blood pressure, hypopituitarism, and narcolepsy. I always accomplished this snake oil task between the first alarm, which I snoozed through, and the faint smell of cigarette smoke and puppy dander that now filled my mask from the upstairs level of my aging parents Town Home, where I often found myself in the winter. I pushed my fears aside, cracked another Adderall in half and began about the morning ritual of testosterone injections, vitamins, compulsive cleaning and a sick stomach. Ahh-yes-pills need food. No… I, thank you—my precious body for keeping me healthy. Don’t let them call me late for dinner. Don’t haunt me throughout the day. I’m sorry America! I was the first Outsourcing conglomerate. My body is too expensive, lazy, worn out, or maybe too efficient in its quest for gross margin to produce anything of value in itself. And for over 20 years I have outsourced almost all its essential functions in a mixed argument of “they’re taking our jobs-and no I will not pick up that elephant shit for any amount of money!” The situps, the situps, I have to do the sit ups. But why? I am constantly concerned I might be in a situation where a beautiful Italian traffic cop asks me to remove my shirt and retrieve a child’s toy from the Trevi fountain, and being a brand whore I refuse to go in with my “PINK” dress shirt. But alas-its too late for the exercise. The speed is kicking in. I use my pork filled Kielbasa sausage fingers to shove my hairy old man belly past the European sized Label jeans. The computer is running too slow and my mind is racing.

So-pretty typical, usually followed by some self-loathing and a nap.

About Benjamin W. DeHaven

A Graduate of Columbia College in Chicago, Benjamin DeHaven keeps his heart in Chicago and his soul in New Orleans. He holds a MBA from Tulane and a film degree from Columbia. Once ejected from a community college for arguing Frost cried out for acceptance in Birches, he has since written screenplays, traded futures in Madrid, and was Editor in Chief of the Nola Shopper Newspaper, a free art newspaper and the 2nd largest monthly paper in the New Orleans, MSA. He also has a "shout out" in a Jay "Z" Song. 

DeHaven, who currently resides in Las Vegas began his writing career with Stone United, a Chicago based Film Company, which works primarily in independent film. As an unknown fiction writer, he feels the best description of himself, is a sarcastic one and is as follows:

Benjamin W. DeHaven was born on a pool table after a Waylon Jennings' concert in 1977. His personal success is outweighed only by his stunning good looks and adherence to unwritten moral guidelines. He has been described as a thinking man's Tucker Max as well as an idiot's Hunter S. Thompson. His goal is to die from an unwavering commitment to be more like Hemingway.

He and Michael Enzo were friends.


#1 Most-Wished-for-Book of 2014 on Indie
Bound for over 10 weeks!


Lunge into a funny, audacious, and devastating work of fiction based on factual events. As much a comedy as a tragedy, "Confessions is a unique piece of literature to be remembered for its originality as much as for its significance as a statement about living life in today's harsh reality." Explore the psyche of one of the world's most profound advisors: a Quixotic adventurer who admits freely to lurid depravity, substance abuse, and emotional complexity. Despite personal demons, he's fooled adherents into a unique reverence and might be responsible for saving more
souls than Mother Teresa and Gandhi combined. 


Hypocrite isn't a strong enough word for someone who writes self-help books purely for profit. Two of the world's ten wealthiest used Enzo as a ghostwriter and while they attribute their status in life to Enzo's words, not a single one willingly admits to knowing him. DeHaven, a patsy in Enzo's schemes and a recurring voice, shares his own perspective and often times paints himself in a very negative light, which adds a layer of credibility to such a fantastical story. Brief moments of compassion and insight are even more powerful and poignant from this perspective.

The most disheartening admission presented is that Enzo would only fall back on his tremendous gift, of writing self-help, as a last act to pay debtors and sustain a ridiculous lifestyle. The reader of "Confessions" is forced to question DeHaven's motivation in publishing this journal. Does he truly want to ruin Enzo's legacy or is this an act of love? Reaching out to someone who is still lost. Enzo, wherever you are, pick up a self-help book and give it a read.  Who knows, you may have
written it. 

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Friday, September 26, 2014

WHAT THE EXPERTS SAY: Traci L. Slatton, Author

Traci L. Slatton, Author
BROKEN 
Traci L. Slatton describes her new book, BROKEN, as a “paranormal historical fantasy.” Set in Paris in 1939-1942, the novel tracks the activities of a fallen angel trapped behind Nazi lines. She creates credibility in her story by “paying attention to details” and assuring historical accuracy.

Slatton is currently working on Book IV of her romantic dystopian After Series. Her love of art has produced several books--both fiction and non-fiction; and she has also written a book of poetry. She lives in Manhattan, does yoga every day, loves wine, enjoys travel, and has been posing for her artist husband, who is sculpting her, for the past year (see photo below.)





Q: How did you conceive of the plot for BROKEN—a fallen angel getting trapped in a Nazi-occupied country? In what genre would you place BROKEN? 

Traci L. Slatton: I spent a month in Paris in 2013, researching a different WWII novel, one set primarily in Germany. I had meant to use Paris as a base from which to travel into Germany, because I love Paris and can negotiate the language. I found myself walking the streets of Paris when I should have been writing. For hours and hours every day, I wandered around Paris, starting from the Boulevard du Montparnasse and straying into every arrondissement. I got to know the city from the street level. Then I started taking the walking tours, and reading about the history of Paris. I find Paris incredibly sensual, with its white limestone buildings and the curving Seine and the sense of history.

Somehow all those kilometers of walking inspired BROKEN, and the sensuality of the city led into my protagonist’s sensuality.

I guess I would call BROKEN a paranormal historical fantasy. Does that work?

Q: How do you create credibility for your story? Is believability important to entice readers?

Traci L. Slatton: I create credibility by paying attention to details. In a historical novel like BROKEN, that means I have to get the details right for the time period. For example, Alia the fallen angel makes an offhand comment about her lover Pedro’s Brylcreem. It’s a throwaway line but fashionable men of the time used Brylcreem, and Pedro, who is a bullfighter and concerned about his public image, would have.

Yes, I believe that believability is important. It sucks the reader into a world that the author has created.

Q: What makes readers care about a fallen angel? How do you develop the character?

Traci L. Slatton: In some ways, a fallen angel is a character like any other character, and there are techniques for building likeability. For example, Alia loves her neighbor’s little daughter and is very generous to the girl. Kindness toward children is an appealing trait.

However, Alia, as a fallen angel, is also different from other humans. I imagined her as ethereal, tolerant, mirthful, and profoundly sensual.

Alia, I imagined, was ethereal, with a kind of appealing lightness and delicacy of being, because she had originated in heaven. She was tolerant because she had chosen to fall, which is a straightforward choice to sin. So she wouldn’t judge anyone for their choices. She was mirthful because she had a large perspective on things. She’d seen the panoply of history, after all.

The sensuality came partly from mythology, from the stories of Cupid and Psyche, Cupid being a winged being who had a sensual relationship with his wife Psyche. Cupid’s Greek counterpart is Eros. I also had in mind Canova’s deliciously sinuous sculpture of Cupid and Psyche, and the Biblical stories of angels mating with human beings. So these images combined to give Alia her erotic nature.

Q: Is the concept of villain vs hero relevant to BROKEN?

Traci L. Slatton: Yes. The Gestapo agent Knochen is a villain, both personally, because he is an evil man, and as a representative of the Nazis and everything they represent. Alia and her friends are heroes, and so is the city of Paris.

Q: Reviewers of some of your earlier books praise the emotion that you evoke in your writing. How do you create pathos so readers embrace your characters or the story?

Traci L. Slatton: Interesting question. I suppose what I do is create a character with whom readers identify, or with whom they empathize, and then I put the character into horrendous circumstances. Story is built on conflict and obstacle. Treachery, betrayal, suffering, torture, loss, disease, poverty, heart-break, and injustice are some of the best obstacles going—and they elicit strong emotion from readers.

Q: In BROKEN, how helpful is back story, ie, history of Nazi Germany, to creating a suspenseful story of tension? How important was historical accuracy?

Traci L. Slatton: I consider historical accuracy to be supremely important. Because this era was relatively recent and the population as a whole knows a lot about it, I researched this time in Paris thoroughly. Many of the details are accurate, such as the way Parisians were always hungry during the occupation. Several documents said that Parisians ate only about 800 calories per day at this time. Also, over a million French men had been taken into compulsory work service in Germany, so the Resistance drew on women, high school students, and the elderly. At one point, Alia the protagonist, who is a fallen angel, is walking down the street wearing a jaunty red hat. There are references to those red hats as a kind of subtle rebellion; French fashion continued during occupation.

However, sometimes I depart from accuracy to achieve truthfulness. Truthfulness and accuracy are different issues, and truthfulness is always the most important for me as an author. So, for example, in this novel, Sartre and Camus are together at a party at Alia’s apartment before the war, reading poetry and drinking wine. There are conflicting reports about when these great thinkers met, but it is generally agreed that they met after the war. However, for purposes of the themes of this novel, since they are not just people but also voices of their generation, I put them together at Alia’s before the war. This was a deliberate choice in which I diverged from historical accuracy.

Q: Your bio says that you are especially interested in Renaissance Italy, and I notice that you’ve also written books about art. Are you an artist? What drives your interest in it?

Traci L. Slatton: Ah. My hands are clumsy, such art as I possess is in my stories. However, my husband Sabin Howard (www.sabinhoward.com ) is a famous classical figurative artist. He sculpts in clay and casts in bronze, and his works are likened in the press to Michelangelo and Rodin. The thing about Sabin is that he is all art, all the time. He has tremendous integrity as an artist—art is literally his first thought in the morning and his last thought at night. He’s been a wonderful role model for me in his relentless perfectionism and dedication to his craft.

Because of Sabin, and because of my own predilections, I have an abiding interest in art. Michelangelo and Da Vinci and Botticelli are regular topics of conversation at our dinner table. We go on vacation to Italy (where Sabin has relatives) and we go to the Met and to art galleries all the time. Art is my husband’s life. Luckily I love it too!

Q: Did you write BROKEN strictly to entertain? Or were you trying to educate or deliver a message?

Traci L. Slatton: I wanted to do both, to entertain and to deliver a message. Isn’t “both” more fun? The message is one, that the belief in an external, patriarchal, hierarchical God is the source of great evil; two, the power of love is infinite; and three, spirit informs everything.

Q: What’s next?

Traci L. Slatton: I am currently working on Book IV of my romantic dystopian After Series. I had thought to title it “Fire Storm,” but a friend of mine ranted that there were too many books on Amazon with that name. Also, Fallen, Cold Light, and Far Shore are the first three novels in the series, so maybe that is too many “F” titles.

Anyway, this novel is fun for me as an author because my male protagonist goes mad. It was always in him, but now it erupts in full force. It’s very cool to write a crazy character!

Q:  Tell us about Traci L. Slatton. What do you like to do when you’re not writing?

Traci L. Slatton: I have four daughters, three and a step. The big ones areout of the house (two have graduated college). The little one is 9 years old and still home, so there is always childcare to attend to. I am a dedicated practitioner of yoga—I do yoga every single day of my life. This isn’t because I’m terribly virtuous, because I’m not. It’s for the most sybaritic, Philistine of reasons: because yoga makes me feel good, peaceful and harmonious. I love to travel and I love red wine and I love to watch movies. I have two Labrador retrievers who think they are lap dogs, though each weighs 55 pounds. And for the last year and a half I have been posing at night for Sabin, who is sculpting a bust of me. (Jpeg attached). It’s not as glamorous as it sounds; I have to sit and hold a specific post for a few hours every night, and I’m convinced that this bust will never be finished.

About Traci L. Slatton

Traci L. Slatton is a graduate of Yale and Columbia. She lives in Manhattan, and her love for Renaissance Italy inspired her historical novel IMMORTAL. THE BOTTICELLI AFFAIR is a playful and suspenseful tribute to her delight in the Old Masters and rich passions. FALLEN is the first in a romantic trilogy set in end times permeated with love, loss, and strange psychic powers. THE ART OF LIFE, written with Sabin Howard, is a book about sculpture and the philosophy and history of art; DANCING IN THE TABERNACLE is her first book of poetry. COLD LIGHT furthers the dystopian tale begun in FALLEN, and FAR SHORE is Book 3 in this romantic cycle. THE LOVE OF MY (OTHER) LIFE is a bittersweet romantic comedy that addresses the question: What worlds would you move to be with your soulmate?

About BROKEN

Power is pornographic

Can love sustain light when the forces of evil close in?

Paris, 1939-1942. A fallen angel is trapped in the web of German occupation. The deadly noose of Nazi control grows ever tighter, ensnaring her and two of her lovers, a bullfighter and a musician working in the fledgling Resistance. Can she save them and the Jewish widow and her child that she has come to love, or will betrayal take them all?


Links

Purchase Links

Immortal, a historical novel, a rags-to-riches-to-burnt-at-the-stake story.
Fallen, a dystopian romance, Book 1 of the After Series, “When the world ends, all that’s left is love”
Cold Light, Book 2 of the After Series, “In the end, love demands everything” 
Far Shore, Book 3 of the After Series, “Love is Salvation”
The Botticelli Affair, an art history mystery vampire romp
The Love of My (Other) Life, a bittersweet sci fi romp 
The Art of Life, a photoessay on figurative sculpture through the ages


Goodreads:

Author Links

 Twitter: @tracilslatton